You’re looking over a sweeping landscape from an aerial view, mesmerized by the heights and gorgeous cliffside forest below you, when an epic, Morgan Freeman or David Attenborough model voice booms out from someplace behind the camera: “Nature… the good outdoors…”
That’s called a voice-over, usually abbreviated to V.O., and is among the most well-known and most-typically used film tricks. Whether used as a narration gadget, a shorthand tool for commercials, or as a comedic impact in countless TV, movies, and brief viral movies, most individuals are aware of the voice-over method due to its prevalence in pop culture and media.
While most people know what voice-over is, less commonly known is how one can do it well. Or really anything about when and why you would use voice-over in some movies and marketing videos, and not others.
So what makes a voice-over nice? How do you plan a video round voice-over, or is it the opposite way round? When do you use voice-over instead of dialogue or music? How do you pick the best voice actor on your video’s voice-over?
We’re going to reply all of these questions below, so with out further adieu, let’s dive into the wonderful world of voice-overs!
How do you make your own voice-over?
Have you ever ever tried to create and implement your own voice-over on one of your movies, but been confused on how or when you need to do it? For first-timers, it may be tough to know the way to put a voice-over together as part of your video. Here’s a fast step by step guide:
Earlier than you begin, script out your voice-over by writing down the words that shall be spoken to associate with no matter visuals you’re planning to shoot to your video. You must have a good sense of what you need to see while your voice actor is reading the lines, so the visuals will correspond with what’s being said.
Then, you will film your video. One widespread mistake you might make is trying to document the voice over in entrance of the camera while filming your video. One of the best part about voice-over is that you simply don’t really have to report it while you are on set.
Instead, you file your voice-over as a separate audio track and apply it over the visuals during the editing process in post production. That way, you aren’t limited to only utilizing the visuals the place the audio lines up. If you happen to were, it could make your video very troublesome to edit.
To report your voice-over, you will hire your voice actor and book time in a recording studio. This can be a soundproof booth in your enhancing room, an precise combine-studio that’s part of a bigger enhancing bay you rent out, or just a great microphone and audio recorder in a quiet a part of your organization office to record.
Depending on how high-tech your booth is, you’ll be able to both record the voice-over separately and overlay it over the video once achieved, or you possibly can play the video while your voice actor is reading, so your editor and director can sync up the audio and visuals in real time, making cuts to the script or giving direction on pacing in real time depending on what’s needed for the pace of the video.
After getting synced the voice-over audio with the video, you do your remaining combine, where you adjust the voice-over’s sound levels with the rest of the video’s sound tracks. These other soundtracks may very well be diegetic sound, audio recorded on-set that’s part of the story like an actor’s dialogue lines or special sound effects, or background music, which plays alongside the voice-over lines.
Then, add any title screens, finish credits, and subtitles, and end your video!
What makes voice-over nice?
A great voice-over will, initially, emotionally communicate what your video is about. Whether or not it’s a narrator telling a story, asking the audience a question, or rallying a group to a cause, the voice-over needs to be passionate, clear, concise, and most importantly, important to the narrative.
For instance, if your voice-over is just describing is happening on screen, with out adding new context or details to what we’re seeing that we’d not in any other case know, then it doesn’t belong in your video. Just describing what an viewers can see themselves doesn’t provide worth to the video, and it’s why many first-time screenwriters and filmmakers are advised not to rely on or use voice-over at all to inform their stories.
The identical is true for voice-over in advertisements and advertising videos. In case your ad has a narrator or celeb spokesman, that particular person’s voice-over should be necessary to the storytelling of the ad or video, not just explaining what you might be seeing.
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