Drawing in general entails 4 distinct components: line, value, texture, and form. Within the special case of pencil portrait drawing we can refine the list of components to 6: form, proportion, anatomy, texture, worth, and planes.
In this article we will give a detailed description of every of these pencil portrait drawing elements.
(1) Type or Form – The illusion of three-dimensionality in drawing and artwork basically has been central to Western artwork for centuries. The carving out of shape using line, structure, and value was an important element of just about all Renaissance art.
However, oriental and many modern artwork emphasize flatness of type although this interval in up to date artwork is drawing to a close.
All kind in drawing can initially be reduced to four basic 3-dimensional solids: bricks, cones, cylinders, and spheres. The proper use of those kinds together with perspective and value leads to the illusion of 3-dimensionality even though the drawing is, genuinely, situated on a 2-dimensional sheet of drawing paper.
In portrait drawing, the arabesque of the head, the sq. construction of the head, and all components within the head (nostril, eyes, etc.) are all 2- and 3-dimensional types that contribute to the overall illusion of three-dimensionality
(2) Proportion – contains all sizing and placements of form. Proportion refers to the idea of relative size and angle size.
Proportion offers answers to these two questions:
1. Given a defined unit of length, what number of units is a specific length?
2. How giant is this explicit angle? Answering these questions persistently accurately will yield a drawing with the proper proportions and placements of all form.
(3) Anatomy – refers essentially to the undermendacity buildings of bone and muscle of the head.
It is very important learn as much as you can about anatomy. There are many books available on anatomy for artists. For a portrait artist it is notably necessary to understand the anatomy of the head, neck, and shoulders.
Anatomy research sadly include numerous Latin terms which makes it considerably difficult to grasp. The thought is to review slowly and just a little bit at a time because it may be fairly frustrating.
(four) Texture – in portrait drawing expresses the range of roughness or smoothness of the forms. The tough texture of a concrete stroll way, for example, is sort of totally different from the smoothness of a window.
There exist a number of techniques and tricks to help you with the creation of the right textures. Creating textures is an space in drawing that provides you the opportunity to be very creative and to use every possible type of mark you can make with a pencil. In portrait drawing textures occur in places resembling hair, clothing, and skin.
(5) Worth – refers back to the variations in light or darkish of the pencil marks and hatchings. Powerful portrait drawings make use of the full palette of contrasting lights and darks. Starting artists usually fail to achieve this full “stretch” of worth, resulting in timid, washed-out drawings.
(6) Planes – produce the sculptural sensibility of a portrait. The head has numerous planes each with a unique direction and due to this fact with a different value.
The thought is to think of the surface of the head as a collection of discrete planes with a sure direction relative to the light source. You should attempt to determine every of the planes and draw its correct shape and value.
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