Drawing in general entails four distinct parts: line, worth, texture, and form. In the special case of pencil portrait drawing we will refine the list of components to six: type, proportion, anatomy, texture, worth, and planes.
In this article we are going to give an in depth description of each of those pencil portrait drawing elements.
(1) Form or Form – The illusion of three-dimensionality in drawing and art on the whole has been central to Western art for centuries. The carving out of form using line, structure, and value was an important part of almost all Renaissance art.
On the other hand, oriental and lots of modern art emphasize flatness of type though this period in up to date artwork is drawing to a close.
All form in drawing can initially be reduced to 4 primary three-d solids: bricks, cones, cylinders, and spheres. The proper use of these forms together with perspective and value leads to the illusion of 3-dimensionality despite the fact that the drawing is, genuinely, positioned on a 2-dimensional sheet of drawing paper.
In portrait drawing, the arabesque of the head, the sq. structure of the head, and all parts within the head (nostril, eyes, etc.) are all 2- and three-dimensional varieties that contribute to the general phantasm of 3-dimensionality
(2) Proportion – includes all sizing and placements of form. Proportion refers back to the concept of relative length and angle size.
Proportion offers solutions to these two questions:
1. Given a defined unit of size, how many models is a selected size?
2. How giant is this particular angle? Answering these two questions consistently appropriately will yield a drawing with the right proportions and placements of all form.
(3) Anatomy – refers essentially to the underlying constructions of bone and muscle of the head.
It is important to learn as a lot as you’ll be able to about anatomy. There are many books available on anatomy for artists. For a portrait artist it is particularly vital to understand the anatomy of the head, neck, and shoulders.
Anatomy studies unfortunately embrace numerous Latin phrases which makes it somewhat tough to grasp. The thought is to check slowly and a bit of bit at a time because it can be fairly frustrating.
(four) Texture – in portrait drawing expresses the range of roughness or smoothness of the forms. The tough texture of a concrete walk way, for example, is quite different from the smoothness of a window.
There exist several techniques and tricks that will help you with the creation of the proper textures. Creating textures is an space in drawing that provides you the chance to be very creative and to make use of every doable type of mark you can make with a pencil. In portrait drawing textures happen in places similar to hair, clothing, and skin.
(5) Worth – refers back to the variations in light or darkish of the pencil marks and hatchings. Powerful portrait drawings make use of the full palette of contrasting lights and darks. Beginning artists usually fail to achieve this full “stretch” of worth, resulting in timid, washed-out drawings.
(6) Planes – produce the sculptural sensibility of a portrait. The head has numerous planes every with a different direction and therefore with a special value.
The idea is to think of the surface of the head as a set of discrete planes with a certain direction relative to the light source. You need to attempt to identify every of the planes and draw its appropriate form and value.
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