Drawing in general entails 4 distinct elements: line, value, texture, and form. Within the particular case of pencil portrait drawing we will refine the list of components to six: form, proportion, anatomy, texture, value, and planes.
In this article we are going to give a detailed description of every of these pencil portrait drawing elements.
(1) Kind or Shape – The phantasm of three-dimensionality in drawing and artwork generally has been central to Western art for centuries. The carving off form using line, construction, and worth was a vital element of almost all Renaissance art.
On the other hand, oriental and lots of modern artwork emphasize flatness of kind although this period in modern art is drawing to a close.
All kind in drawing can initially be reduced to four basic three-dimensional solids: bricks, cones, cylinders, and spheres. The proper use of those kinds along with perspective and worth leads to the phantasm of three-dimensionality even though the drawing is, essentially, positioned on a 2-dimensional sheet of drawing paper.
In portrait drawing, the arabesque of the head, the sq. structure of the head, and all elements within the head (nose, eyes, etc.) are all 2- and three-dimensional forms that contribute to the overall illusion of 3-dimensionality
(2) Proportion – consists of all sizing and placements of form. Proportion refers back to the concept of relative length and angle size.
Proportion provides solutions to those two questions:
1. Given a defined unit of size, what number of models is a selected size?
2. How giant is this specific angle? Answering these two questions persistently correctly will yield a drawing with the right proportions and placements of all form.
(three) Anatomy – refers essentially to the underlying structures of bone and muscle of the head.
It is important to study as a lot as you’ll be able to about anatomy. There are various books available on anatomy for artists. For a portrait artist it’s significantly important to understand the anatomy of the head, neck, and shoulders.
Anatomy studies unfortunately include a lot of Latin phrases which makes it somewhat troublesome to grasp. The thought is to review slowly and just a little bit at a time because it can be fairly frustrating.
(four) Texture – in portrait drawing expresses the range of roughness or smoothness of the forms. The rough texture of a concrete stroll way, for example, is sort of totally different from the smoothness of a window.
There exist several techniques and tricks to help you with the creation of the correct textures. Creating textures is an space in drawing that provides you the chance to be very inventive and to use every possible type of mark you can also make with a pencil. In portrait drawing textures occur in places resembling hair, clothing, and skin.
(5) Value – refers to the variations in light or darkish of the pencil marks and hatchings. Powerful portrait drawings employ the complete palette of contrasting lights and darks. Starting artists usually fail to achieve this full “stretch” of worth, resulting in timid, washed-out drawings.
(6) Planes – produce the sculptural sensibility of a portrait. The head has quite a few planes every with a distinct direction and due to this fact with a distinct value.
The thought is to think of the surface of the head as a group of discrete planes with a certain direction relative to the light source. You need to try to establish each of the planes and draw its appropriate form and value.
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